Posts Tagged ‘San Francisco Open Studios’

Running on Empty

As promised, a new etching based on the engraving Tantalus from the 16th century by Hendrick Goltzius has been completed this summer, and is titled Running on Empty. This is the third in a series of four, and who knows when the fourth will be done, as I adamantly refuse to entertain the possibility of ever doing another one of these again each time a new one is completed.

As you will remember (!), Tantalus, a mortal fathered by Zeus, had, among his other indiscretions towards the gods, decided to kill, dismember, and boil is son Pelops, and serve him at a banquet for the inhabitants of Mt. Olympus, to test whether they were actually omniscient. It was a mistake. They were.

His punishment was to be made to stand in a pool of water that receded every time he tried to satisfy his thirst, and to stand under a tree that pulled away its branches whenever he tried to pluck any fruit. (In ancient Greece, cannibalism and the killing of kin were considered to be among the worst atrocities one could commit). Of course, I have replaced the fruit tree with a gas pump nozzle (see lower right). Does the denial of science in the name of commerce render the balance of nature oblivious to the cannibalization of our children’s future?

See image and info on my website: http://www.davidavery.net/prints/empty.html

This spring I had a very successful exhibition at the Sarratt Gallery at Vanderbilt University in Nashville, and will once again be participating in San Francisco Open Studios at John Gruenwald Press, which will take place on the second weekend, October 22nd and 23rd. Stay tuned for more information.

Sarratt Gallery

Running on Empty

Open Studios 2015

I hope that you  will be able to make time in your Busy Schedules to visit me on the occasion of this year’s San Francisco Open Studios at which, in addition to exhibiting with four other accomplished printmakers (see below), I will be premiering The Coming of the Cocklicranes or His Kingdom Restored, a limited edition artist book featuring four etchings by the same name (now taking pre-publication orders!). Of course, as you have come to know and expect, a vast sampling of those pieces of paper smashed into polished copper plates which have been defaced with scratches and rudimentary chemistry will also be on display. Refreshments will be served.
WHERE–Gruenwald Press, 1663 Mission Street, San Francisco (entrance on Plum Street), identified with a prominent festively colored yellow sign reading “Gruenwald Press”. See map link for the secret entrance on “Plum Street“. http://mapq.st/1LAdN7Q
WHEN–October 31 to November 1, 11 AM to 6 PM
Reception (party!) October 30, 5:30 to 8:30 PM
WHO--Kathy Aoki, David Avery, Jonathan Barcan, Susan Belau, John Gruenwald
Please Note: there is regrettably a flight of stairs which has to be negotiated in order to reach the studio, HOWEVER, if needed, the freight elevator is easily accessible and can be utilized by calling 415-734-0376 and waiting patiently…

I hope to see you the weekend of the 31st. 

detail: The Coming of the Cocklicranes No. 4

New Work 2015

The harbingers of Autumn include the publication of five new prints; a series of four etchings entitled The Coming of the Cocklicranes (view here), as well as the just recently completed Runner (Mom, Death and Devil), based on the (you guessed it) famous Durer engraving of a similar name.  In addition, there is the upcoming publication of a new artist book based on the aforementioned series of four etchings, which is anticipated to be ready for my 2015 Open Studio exhibition. This year I will be showing at the John Gruenwald Studio the weekend of Oct. 31st, along with four other accomplished and varied printmakers. More information will be forthcoming as the date approaches.

This year has seen a solo exhibit at the New Grounds Gallery in New Mexico, a three person show at the Sandra Lee Gallery in San Francisco, as well as prints included in an exhibit at the Venice Biennale, the Child’s Gallery in Boston, and several competitions with six awards and honorable mentions.

Runner (Mom, Death and Devil)

 

Obeliscolychny, too

Yes, this is becoming my own Tower of Babel, but, as promised, I will be showing an impression of the second state (about two thirds!) of my ongoing project, Obeliscolychny, with the Bay Printmakers during the first weekend of San Francisco Open Studios at Ft. Mason (see details above). Also featured will be Tempestuous Muse, first place winner in last year’s Open Studios exhibit. And, in a further example of shameless self-promotion, don’t miss the blurbette on me in the 2012 Open Studios guide (heavily edited to protect the public). In addition to the usual display of the perennial favorites in glorious black and white, at least some of the texts which caused my current project to come into being will be available for examination, and for those who must insist I will, of course, be on hand to attempt some sort of rationalization as to what connection there could possibly be between these recondite excerpts and the images that supposedly resulted from their discovery. Looking forward to seeing you there. 

“…Ho, ho, I see land! I can see harbor! I can see a great crowd on the pier. I can see fire on the obeliscolychny. “

Detail, Obeliscolychny

In addition to Open Studios, here is a list of current and upcoming shows in which my work will be included.

2012 Harnett Biennial of American Prints; 10/23 to12/9/2012, Joel and Lila Harnett Museum of Art, Richmond, VA.

New Prints 2012/Autumn; International Print Center New York, New York

Culture: Man, Machine and Nature; 10/3 to 11/16/2012, Sisson Gallery, Dearborn, MI.

Inclusions, Art from within Bernal Heights; 9/22 to 10/21, Inclusions Gallery, San      Francisco, CA.

January 2012

Trying to catch up…a busy second half of 2011, with the purchase of “A Post-traumatic History Lesson” by the Library of Congress, a purchase award at the 33rd Bradley International, as well as the First Place Award at the 2011 San Francisco Open Studios Exhibition, and many shows. I am also now being represented by the Jane Haslem Gallery in Washington, DC.

As you may have noticed, we are in the process of revamping the website to make it more complete and easier to get around. In addition to the four categories, there is also a complete listing by chronology. You may notice that as you scroll though the titles, some images do not come up. These images are not available yet, but will be added as they become so. The unintended consequence of this inefficiency is that you will be motivated to return to the site again and again to see if the next image has been put up. In the meantime, the following is a listing of shows I will be involved in which all happen to open in January:

From Dublin to LA and Back; 1/9 to 1/28 2012, Monster Truck Gallery, Temple Bar, Dublin, Ireland.

Global Matrix III; 1/9 to 2/29 2012, Purdue University Galleries, West Lafayette, IN. Traveling thereafter through 2013.

2012 Delta National Small Prints Exhibition; 1/19 to 2/17/2012, Bradbury Gallery, Arkansas State University, Jonesboro, AR.

Traces, Marks and Fragments; 1/20 to 2/26/2012, San Luis Obispo Museum of Art, San Luis Obispo, CA.

The Sixth Annual Invitational Exhibition; 1/17 to 3/4/2012, Gratton Gallery, Gratton, CA.

Off the Press, Contemporary Printmaking from the San Francisco Bay Area; 1/12 to 3/16/2012, The Halden Art Gallery, South Lake Tahoe, CA.

San Francisco Open Studios

I will be showing with the Bay Printmakers this year for Open Studios, during the weekend of Oct. 23-24 from 11:00 until 6:00 both days. The Bay Printmakers comprises of 20 artists who explore different facets of printmaking, and will be showing in the Fleet Room in Building D at the Ft. Mason Center, Buchanan and Marina Boulevard. There will also be a preview and reception on Friday, Oct. 22 from 7:00 intil 9:00. On view will be, hot off the press, my most recent effort, The Ticker, in addition to my many other etchings. I look forward to seeing you there and hope that you will enjoy veiwing work by this diverse group of printmakers.

Also: If you happen to be in Los Angeles this weekend (Oct. 16th and 17th), I will be showing at the Beverly Hills Affaire in the Garden at booth #134. See www.beverlyhills.org/artshow for more information. My work was judged Best in Show last May.