In the Year of the Covid, 2020, I am nevertheless very pleased that the de Young Museum of San Francisco will be purchasing my etching, MENDACIA RIDICULA (the Wheel of Ixion) for their collection, after having accepted my two entries for the de Young Open, an exhibition of Bay Area artists culled from over 11,000 entries. The Exhibition can be accessed online at https://deyoung.famsf.org/exhibitions/de-young-open and will be showing at the museum until the beginning of January. This etching has become very popular recently for some reason (!) and has been included in eight shows since the beginning of the year, as well as being included in the collection of Casa de las Americas in Cuba.
Concerning which, there are now only four complete
sets left of the New Four Disgracers, of which this etching is a part.
Likewise, there are only four impressions of Obeliscolychny still available.
Get them before the coup starts!
What, though the field be lost,
All is not lost; the unconquerable will,
And study of revenge, immortal hate,
And courage never to submit or yield:
And what else is not to be overcome?
That Glory never shall his wrath
Extort from me.
From Paradise Lost, Book I—Satan lying in a pool of burning sulfur after being cast out of heaven (losing, that is). It will be a rocky road…
When I created my etching based on Goltzius’ Phaethon in 2011, little did I realize that I would continue this theme over the years and appropriate, one by one, and for my own nefarious purposes, each of his four engravings from the series known as The Four Disgracers. In keeping with Goltzius, who used fallen figures from classical Greek myths to disparage the arrogance of Phillip II of Spain, who was trying to subjugate the Netherlands at the time, I have utilized his images (which were actually based on the original paintings of another artist, but certainly stand on their own merits) to reflect on some of our current curses of humanity.
So, the fourth work from Goltzius’ series representing the fall of Ixion has been completed. It is titled MENDACIA RIDICULA (the Wheel of Ixion), and is based on the most complex and detailed of his four engravings. The impetus for creating this final work really came from my discovery of the translation into English of the Latin text encircling the original image. Aside from tweaking the rather clumsy translation and adding one detail at the end, my text pretty much follows the original, word for word. Lamentably, the muse Clio has the unfortunate habit of repeating herself, but her ashcan is ready and waiting. And as regard to the demand for civility in public discourse by the current dominant political organization enabling insanity, I can only reply; “Mendacia Ridicula”.
As we all know, Ixion was redeemed and invited up to Olympus by Zeus after committing some rather unsavory crimes against his mortal brethren. In keeping with his character, once among the gods, he lusted after Zeus’s wife, Hera, and when Zeus realized this, he created a “dark (Stormy?) cloud” in the likeness of Hera, with whom Ixion proceeded to have intercourse. Needless to say, when he subsequently boasted about his supposed conquest, he was punished (tied to the spinning wheel of Ixion for eternity). However, the sexual encounter was unprotected, and depending on your preference of myth, the dark cloud (Nephele) either gave birth to the race of Centaurs, or to a deplorable individual who was responsible for fathering them. (I’ll leave it to your imagination as to how that was accomplished). In spite of Uncle Walt’s bucolic version, it’s doubtful that the ancient Greeks took this as a good thing.
MENDACIA RIDICULA (the Wheel of Ixion) is an etching, 6” x 6”, printed on Van Gelder Simili Japon paper in an edition of 30. In addition to offering it for purchase at the price of $400.00, I am making the set of four (The Four Destructors; The Four Deplorables?—we’ll see) available for $1425.00, which is a discount of 10 % from the full price of $1580.00.
This year I have received my second purchase award from the 31st McNeese Works on Paper Exhibition, the third Place Award from the Texas National 2018 Competition (1000 entries!), and my work “A Ticket to Ride…” was acquired by the Nelson-Atkins Museum of Art. In August I will be showing work in “Stand Out Prints” at the Highpoint Center for Printmaking (900 entries!) and “Pressing Matters” at the San Luis Obispo Museum of Art. Stay tuned for info about Fall Open Studios and the Art for Aids Auction (Das Narrenschiff).