Here is a copy of the Washington Post Article by Mark Jenkins containing a review of my solo exhibit at the Washington Printmakers Gallery this last July. Stay tuned for more information on this year’s Open studio.
Here’s a review by Mark Jenkins
in the July 21st Washington Post:
David Avery’s “Tempestuous Muse,” on view at Washington Printmakers Gallery. (David Avery/Washington Printmakers Gallery)
“As a maker of hand-etched prints, David Avery is something of an antiquarian. He also inserts text – sometimes in Latin – into his exquisitely detailed work. So, of course, the San Francisco artist centered his display at Washington Printmakers Gallery on a print titled “Obeliscolychny.” It’s a word he allows is “obscure and rarely used,” in an essay accompanying the show, “Pursuing Invisible Reflections.”
The term refers to a lighthouse, which in Avery’s depiction is a spindly stack of many kinds of buildings, including monument, windmill and tumbledown shack. Here as in the other prints, the look and some of the content is closer to Albrecht Durer than any contemporary artist.
Yet the classic imagery is wittily updated. Avery interjects Renaissance-style intimations of mortality and damnation into everyday scenes: A skeleton rides a stick horse whose head is a equine skull, or a woman jogs with a stroller and a dog, accompanied by Death (riding a bicycle) and a demon. Such mash-ups would be only mildly amusing if the artist didn’t so successfully emulate centuries-old motifs and methods. Indeed, Avery is so adept that viewers in bygone eras might have surmised that he’d sold his soul to the devil.