Hendrick Goltzius – David Avery

As we begin flinging our masks off, I wanted to share with you an article written by Karin Breuer of the Fine Arts Museums of San Francisco for their newsletter about the piece MENDACIA RIDICULA (the Wheel of Ixion) which was acquired for their collection, and the series of etchings from which it came. These pieces are based on the four engravings of Hendrick Goltzius The Four Disgracers, and as she explains in her thoughtful article, they use the 16^th Century engravings to engage with current issues of our day. You can read the article here: https://deyoung.famsf.org/de_Young_Open_David_Avery

I recently participated in a three person Zoom presentation under the auspices of the Boston Printmakers at the Providence Art Club in Rhode Island to talk about my work (actually, the Goltzius series). Several people who viewed it have commented to me that they found some edification in the description of how I make my work, and so I thought I would also share the link with you. There is some time spent on housekeeping for the meeting, so I start about 6 minutes or so after the beginning, and you can watch me make all the standard flubs with Zoom before I get started. I hope you will find it entertaining. https://m.youtube.com/watch?v=DTqkcMrAuIY

In other news, I have participated in 16 competitive and invitational exhibits since the beginning of the year, won a purchase award at the University of Texas at Tyler, and was selected from the Crocker Kingsley exhibit at the Blue Line gallery in Roseville to show at the Crocker Art Museum in Sacramento for the second time in a row.

Finally, the latest piece, A Kind of Flying—The Invisible Hand. Goya meets Adam Smith.

As promised, a new etching based on the engraving Tantalus from the 16^th century by Hendrick Goltzius has been completed this summer, and is titled Running on Empty. This is the third in a series of four, and who knows when the fourth will be done, as I adamantly refuse to entertain the possibility of ever doing another one of these again each time a new one is completed.

As you will remember (!), Tantalus, a mortal fathered by Zeus, had, among his other indiscretions towards the gods, decided to kill, dismember, and boil is son Pelops, and serve him at a banquet for the inhabitants of Mt. Olympus, to test whether they were actually omniscient. It was a mistake. They were.

His punishment was to be made to stand in a pool of water that receded every time he tried to satisfy his thirst, and to stand under a tree that pulled away its branches whenever he tried to pluck any fruit. (In ancient Greece, cannibalism and the killing of kin were considered to be among the worst atrocities one could commit). Of course, I have replaced the fruit tree with a gas pump nozzle (see lower right). Does the denial of science in the name of commerce render the balance of nature oblivious to the cannibalization of our children’s future?

See image and info on my website: http://www.davidavery.net/prints/empty.html

This spring I had a very successful exhibition at the Sarratt Gallery at Vanderbilt University in Nashville, and will once again be participating in San Francisco Open Studios at John Gruenwald Press, which will take place on the second weekend, October 22^nd and 23^rd. Stay tuned for more information.

Tag: Hendrick Goltzius

After the Deluge

Running on Empty