{"id":137,"date":"2013-04-30T15:34:12","date_gmt":"2013-04-30T22:34:12","guid":{"rendered":"http:\/\/davidavery.net\/apropos\/?p=137"},"modified":"2017-12-22T02:09:24","modified_gmt":"2017-12-22T02:09:24","slug":"137","status":"publish","type":"post","link":"http:\/\/davidavery.net\/apropos\/?p=137","title":{"rendered":"OBELISCOLYCHNY"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>OBELISCOLYCHNY<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>Oxford English Dictionary:<\/strong><strong>\u00a0<\/strong><\/p>\n<p>Obeliscolychny, n.<\/p>\n<p><strong>Etymology:<\/strong> &lt;Middle French <em>obeliscolychnie<\/em> (Rabelais, 1548-52) &lt;ancient Greek <em>???????????????<\/em> a spit used (by soldiers) as a lamp-holder &lt; <em>????????? <\/em>OBELISK <em>n.<\/em> + <em>???????<\/em> lamp-stand (see LYCHNIDIATE <em>adj.<\/em>)<\/p>\n<p><strong><em>Obs. rare.<\/em><\/strong><strong>\u00a0<\/strong><\/p>\n<p>A lighthouse: a lamp-bearer.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_296\" aria-describedby=\"caption-attachment-296\" style=\"width: 231px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-296\" src=\"http:\/\/davidavery.net\/apropos\/wp-content\/uploads\/2017\/12\/obeliblog-231x300.jpg\" alt=\"\" width=\"231\" height=\"300\" srcset=\"http:\/\/davidavery.net\/apropos\/wp-content\/uploads\/2017\/12\/obeliblog-231x300.jpg 231w, http:\/\/davidavery.net\/apropos\/wp-content\/uploads\/2017\/12\/obeliblog-115x150.jpg 115w, http:\/\/davidavery.net\/apropos\/wp-content\/uploads\/2017\/12\/obeliblog.jpg 239w\" sizes=\"(max-width: 231px) 100vw, 231px\" \/><figcaption id=\"caption-attachment-296\" class=\"wp-caption-text\">detail, Obeliscolychny<\/figcaption><\/figure>\n<p>The final state my etching <em>Obeliscolychny<\/em> is now completed and can be seen on my website. It will ultimately become the visual component of a limited edition artist\u2019s book that will attempt to bring together the image with the texts from which the ideas that inspired it were derived.<\/p>\n<p>\u201cObeliscolychny?\u201d you may be tempted to ask.<\/p>\n<p>And with good reason. Arguably one of the most obscure and rarely used terms to be found in literature (or anywhere else), but with, perhaps, undue influence relative to its obscurity, obeliscolychny was invented\/appropriated by Francois Rabelais (@1483-1553) and used in books IV and V of his sprawling tales of <em>Gargantua and Pantagruel<\/em>. Possibly derived from Aristotle\u2019s <em>Politics<\/em>, which used it to describe a kind of spit used by soldiers to hang lamps on as a metaphor for\u2026well, something or other, it acquired the meaning somewhere along the way of a lighthouse in the form of an obelisk.<\/p>\n<p>Centuries later, Alfred Jarry (1873-1907), poet, playwright, critic, puppeteer, and subverter of objective reality, discovered the word while reading Rabelais and became enamored with it, using it (pataphysically, of course) in several of his novels. That these works tend to be as convoluted and recondite as the origins of obeliscolychny itself is part of what provides grist for the mill of this project.<\/p>\n<p>We are expecting the book to be completed soon, and are aiming for an opening event in mid July, so please stay tuned. Below are listed my most recent exhibitions.<\/p>\n<p>Purchase Award, <em>Ink, Press, Repeat 2013<\/em>; 1\/21 to 2\/15\/2013, Ben Shahn Center for\u00a0the Visual Arts, William Patterson University, Wayne, NJ (Jacob\u00a0Lewis\u2014Pace Prints Chelsea).<\/p>\n<p>Lindquist\u00a0 Purchase Award, <em>2013 Delta National Small Prints Exhibition<\/em>; 1\/17 to\u00a02\/20\/2013, Bradbury Gallery, Arkansas State University, Jonesboro, AR. \u00a0\u00a0\u00a0 (Anne Coffin-IPCNY).<\/p>\n<p><em>Man, Machine and Nature<\/em>; 1\/17 to 3\/1\/2013, LA Print Space, Los Angeles, CA.<\/p>\n<p><em>New Prints 2012<\/em>; 2\/1 to 3\/9\/2013, Visual arts Center, University of Texas at\u00a0Austin, TX.<\/p>\n<p><em>34<sup>th<\/sup> Bradley International Print and Drawing Exhibition<\/em>; 3\/9\/13 to 4\/20\/13, Bradley\u00a0University Galleries, Peoria, Il. (Stephen Goddard\u2014Senior Curator,\u00a0University of Kansas Kress Foundation).<\/p>\n<p><em>24<sup>th<\/sup> National Drawing and Print Competitive Exhibition<\/em>; 4\/2 to 2\/26\/13, Gormley\u00a0Gallery, Notre Dame of Maryland University, Baltimore, MD. (Amy\u00a0Cavanaogh Royce).<\/p>\n<p><em>26<sup>th<\/sup> Annual McNeese National Works on Paper Exhibition<\/em>; 3\/21 to 5\/9\/2013,\u00a0\u00a0Ambercrombie Gallery, Lake Charles, LA. (Claudia\u00a0 Schmuckli).<\/p>\n<p><em>The New York Society of Etchers 3<sup>rd<\/sup> National Exhibition of Intaglio Prints<\/em>; 5\/20 to\u00a0\u00a06\/7\/2013, The National Arts Club, NY, NY. (Dr. Leonard Moss and Dr.\u00a0Muriel Moss).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>OBELISCOLYCHNY Oxford English Dictionary:\u00a0 Obeliscolychny, n. Etymology: &lt;Middle French obeliscolychnie (Rabelais, 1548-52) &lt;ancient Greek ??????????????? a spit used (by soldiers) as a lamp-holder &lt; ????????? OBELISK n. + ??????? lamp-stand (see LYCHNIDIATE adj.) Obs. rare.\u00a0 A lighthouse: a lamp-bearer. &nbsp; The final state my etching Obeliscolychny is now completed and can be seen on my &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/davidavery.net\/apropos\/?p=137\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;OBELISCOLYCHNY&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,5,6,9,10,13,15,16,28,30,31],"tags":[40,42,43,47,48,51,53,64,66,68,70],"_links":{"self":[{"href":"http:\/\/davidavery.net\/apropos\/index.php?rest_route=\/wp\/v2\/posts\/137"}],"collection":[{"href":"http:\/\/davidavery.net\/apropos\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/davidavery.net\/apropos\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/davidavery.net\/apropos\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/davidavery.net\/apropos\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=137"}],"version-history":[{"count":1,"href":"http:\/\/davidavery.net\/apropos\/index.php?rest_route=\/wp\/v2\/posts\/137\/revisions"}],"predecessor-version":[{"id":323,"href":"http:\/\/davidavery.net\/apropos\/index.php?rest_route=\/wp\/v2\/posts\/137\/revisions\/323"}],"wp:attachment":[{"href":"http:\/\/davidavery.net\/apropos\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=137"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/davidavery.net\/apropos\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=137"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/davidavery.net\/apropos\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}